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Screening Process


Stormy's picture

By Stormy - Posted on 15 March 2013

Will Screen ever find love?

A brief history of the character first – she was originally just supposed to have a one-line (or three) appearance and then disappear – she’s a fat nerd with purple hair…I essentially wrote her in so I had a spot to cameo if/when Cookie is ever made into a series/movie.

(No, I don’t have purple hair…I want it though. Blame Gertrude Yorkes for that. I’ve also checked with my day job, and they have no restrictions on hair colour, so it may happen).

Unfortunately, I wanted to do more with the character, so she became tertiary, and then recurring. She’s well and truly her own character now, not any kind of author avatar.

Also when I created her, I was really unsure about if I was going to go with the governors/new gods thing, which is why I waited until the Christmas special to bring it up, by then, I was a lot more comfortable with the world, and knew it could handle that element. (The governors are almost a kind of natural midway point between agents and gods, so it makes sense that they exist).

Eventually I’m going to want to do something with that element, and when I do, we’ll get a bunch of books headed up by Screen.

< Begin Tangent >

I hate how I introduce all of these cool concepts and/or creatures and don’t really have a chance to focus on them because I’m too busy setting up Stef’s initial arc and the world as a whole.

I probably could if I was a better author, but at the same time, I know I’m already throwing a lot of information at people, so I don’t want to overload them.

Like, for example, I’m sure you could build an entire series just around story thieves (…where the end of that series would probably be a big badass crossover fight to the death with the leaking pen’s story vampires). And hell, I would love to do that, but whoops, Stef is dead, have to deal with that first.

I’d also love to do a series of unconnected shorts showing people dying and how she appears to people of different cultures/worlds – I can imagine it as a comic series.

(In fact, it was because I was trying to figure out what I’d do as a comic writer – I was shaking my head at a recent Linkara video, and just going “I could never write superhero comics, instead I would…” and the idea for the Death series popped into my head, cover art and all).

Trashmaids are another creature I love, and I’ll actually get to show those off in the new version of Mirrorshades (it’s not really spoilery, but Stef’s first “case of the week” after Russia is a trashmaid being dredged up).

Going back to the comics thing (sorta) – it is because I feel like I’m trying to set up a complete world, not just write a single story. To overstate it by a few orders of magnitude, I feel like I’m trying to set up the Marvel universe, or the world of Doctor Who from scratch.

I want to tell non-Stef stories. I want other authors to be able to come in and explore different parts of the world. I would love for there to be multiple concurrent Agency series (Brisbane, Area 51, London, Bucharest, anywhere) – cause it would be so easy for authors not to step on each other’s toes.

But…in order to do that the most logical way, so that it isn’t just book-of-worldbuilding after book-of-worldbuilding, we have to follow Stef fist, and encounter things as she does, because she’s our window in, and following her at the start makes sense.

So yeah…one day I’ll get to play more seriously with some of the stuff I’ve set up.

< /End Tangent >

Back to Screen, in the general, her story is going to revolve around old magic vs. new magic – whether or not it erupts into full-blown war is unknown at this point, but it’ll be interesting.

She’s going to fall in love. Probably multiple times, and find someone she’ll want to spend a long time with.

Back when I was unsure of what I was doing with Stef, I toyed with the idea of making her gay – at one point B!V was going to say:

Computers aren’t the only thing you’ve got in common with Turing.
Huh?
And don’t ask if you’re going to be-
I’m going to be murdered by poison apple!?!?
No. Spyder. Not that.
Then what?
Dear god Spyder, do I actually have to spell it out for you?
Um…yes please.
You like girls.
Oh…okies…what’s for dinner?

Not that she was still going to be asexual, so she was going to be a homoromantic asexual. And then have a romance with another female agent (a tomboy called Marty). It was going to be cute, unfortunately though, it wasn’t going to last.

What was going to happen to adorkable!lesbian Stef after that, I’m not sure – I had a couple of ways I was going to go – one was setting her up with Milla (cause what’s cuter than one crazy girl? Two!), or even then have her end up with Curt (under totally different circumstances, and I’m not sure if it was going to be as cute as it was now…more of a “we’re the two that are always left alive, why don’t we just hook up, we’re always here for each other anyway” – post-war was going to be very morose).

How this relates to Screen though – I do like the set up with Marty, and though I won’t use the character, I may use an analogue of the character arc, enemy – frenemy – ally – lover.

Whether or not they’ll be OTP 5eva remains to be seen, but that, at least, is the plan.

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I work them into Blue Bites (what Im calling the fan fic im doing) after Jason goes back to the US. hehehe.

also, that entire BOLDVOICE convo can still work with them talking about screen.

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Stormy's picture

...does have explain pretty much any kind of attraction between any number of people to Stef.

...and now I'm wondering if Stef actively ships people in her fandoms.

Reality is a formality.

and if she does, how would she know? Imagines them holding hands?

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Fantasy_Lover's picture

Magic lap and magic Chest cuddling for /HOURS/

Stormy's picture

...I'm actually really not sure.

*thinks*

She'd probably be incapable of shipping people in any sort of traditional way - because she doesn't have happy associations with marriage or parenthood (and it's Stef, she's got it in mind that those are natural outcomes when a couple gets together).

I think I'll dedicate some time to this in the "Sturt date-sex-science romp!".

Reality is a formality.

Bufi's picture

...multiple concurrent Agency series (Brisbane, Area 51, London, Bucharest, anywhere)
I'm now thinking what the Bucharest Agency would be like. I should give it a shot in a short or something. ^_^

Resident owl.

totally doing the arizona desert, although I think the agency would ignore state boundaries and probably have more of a southwest desert regional area. Hmm.

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Stormy's picture

...let me just go get someone...

Reality is a formality.

::slowly backs out of the thread, looking around. ::

When she gets back with.. whoever, tell her I had to .. uhh, my grandmother's on fire!

::runs::

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Stormy's picture

...why you thought it was going to be something bad. :/

Reality is a formality.

because... you're evil?

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because... you're evil?

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Stormy's picture

...that evil...

Reality is a formality.

Bufi's picture

*snort*

Resident owl.

Wraith's picture

*Puts on a name tag that says "Regional Director Wraith"*
My Region is the Southwestern US region, with Agencies in Phoenix, Denver, Salt Lake City, Santa Fe, Las Vegas, Sacramento, and the Bay Area (unsure whether it would be in LA or SF to be honest, but the general idea is there) with each Agency having multiple outposts to assist, of course.

Also, if you handle Arizona, don't forget that's where Vincent came from, so you might be able to do some collaboration with Shade. As Regional Director, I do tend to let my individual Agencies handle their own problems, but I can also try to answer any questions you might have.

so, regional, but with one main agency in a major city of each state (not necessarily the capitol, but the currently most populated) and outposts through the rest of the area?

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Wraith's picture

As I see it, it makes sense for the Agencies to have a State-level of organization as well as the Regional and higher, since they have to work with mundane authorities as well. Denver is actually where the SW region is run from, (California seemed too obvious) so imagine that Agency as being a little larger and better staffed than Brisbane (Ok, most Agencies are better staffed than Brisbane :P ) Bu for the most part the Regional Director takes a hands-off approach and lets the Agencies under his watch do as they please. Most of his job is handling paperwork, organizing and annoatingthe reports from those under him, passing things on to Central, processing transfers and visits of recruits between his Agencies (such as Vincent's visit to Denver, or his now-nearly-permanent transfer to Brisbane) and the like.

Okay, cool. And yeah, i was going to work with Shade on who's already who in phoenix, but that comes LATER in the fan fic. I will remember to check details with you as well then!

How are indian reservations handled?

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Shade's picture

They're handled similarly to individual cities in each area.

There's a section of reservation that runs right up against the city of Prescott (it's where the local casino/mini resort is) so, due to it's proximity to Prescott, it'd be covered by the Agency building that also covers the Prescott area. (Speaking of, I should totally go downtown before I move out of Prescott, and pick a building as the Agency HQ.)

For those that aren't in such close proximity, there might be an Agency building in or near the local civilisation, or possibly an amount of Agents and Recruits stationed in the closest Fae community.

Yah, Prescott Yavapai, as I recall. With the Apache Yavapai nearby. I was thinking like the Navajo, which stretches across a few states. Also, are rez generally high fae area? How are the fae in the New World? Has any real creation been done on such things? (i know, I'm being a pain, sorry)

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Stormy's picture

...going for the lazy trope of "a high majority of X are fae" cause that's...frankly racist, as well as being lazy and stupid.

I haven't done a significant amount of worldbuilding on how fae mix with cultures that have leanings towards animal people, spirits, etc - or even what gods of a given pantheon were based on real people.

A lot of it is because I'm worried about giving the proper representation, but there's also the want to create new stuff without really giving consideration to what's come before.

About the only correlation we have is Madhe used to be called Mab, but even then, her story is different to what's been established before.

Reality is a formality.

my thought was that reservation land is a good place FOR fae to hang out though, lots of open desert that no one really goes into, less population, a people less likely to freak out about certain odd noises.

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doh

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Stormy's picture

FATALITY.

Reality is a formality.

Stormy's picture

...pick a real building - I haven't, as there isn't really a good building on Queen St (where I really wanted to put the Agency). (Sadly, there is a building that would make a good Agency, but it's not in the right spot). If it does get made into a series, they'll probably just use the AAMI building, since it's roughly in the right spot (and big and impressive...though probably too big and impressive - especially the lobby, it'd be horrible to try and control during a firefight).

Reality is a formality.

Stormy's picture

Ok, most Agencies are better staffed than Brisbane :P
...only most?

At least they acknowledge that they're kind of shit, and don't really make excuses for it.

Most of his job is handling paperwork, organizing and annoatingthe reports from those under him, passing things on to Central, processing transfers and visits of recruits between his Agencies (such as Vincent's visit to Denver, or his now-nearly-permanent transfer to Brisbane) and the like.
And lots of parties and events and liaising with fae...

Reality is a formality.

Stormy's picture

(And I'm saying this out loud so we have open discussion, which is always nifty).

My view of how Oz works, at least is:

Outpost Agencies report to a "full/base/headquarters" Agency - so, like Caboolture reports to Brisbane.

Brisbane is counted as a major Agency as it's a capital city Agency, but it has peer Agencies in other high population areas (so I imagine one probably halfway the Queensland coast, then one in far north Queensland).

On top of those would be a State-level Central Agency, then those Central Agencies report up to whatever Australia-wide authority they deal with.

Those would then coordinate with a Asia-Pacific level group, then the...uber-overlords, I guess?

Every country is different - the regional directors thing works well for the US, due to the sparsity of some of the areas (whereas, despite the huge desert in the middle of the country, each Australian state has at least a population centre that's at least in the same ballpark - with the eastern states being more populous).

But none of this has been established in canon, so it's still fluid until we nail stuff down.

Reality is a formality.

Stormy's picture

...that he is "Regional Director Wraith" in canon, he has a real name, but everyone calls him Wraith.

Reality is a formality.